ENiM 7, 2014, p. 287-313.
Sous forme dâune enquĂȘte musĂ©ologique dĂ©butant avec le rĂ©colement des antiquitĂ©s Ă©gyptiennes effectuĂ© au musĂ©e de Grenoble en 2012, cet exposĂ© tente de retracer le parcours dâune cuve de cartonnage, oubliĂ©e durant un siĂšcle et demi des inventaires et catalogues dâexposition. Son association au couvercle de cartonnage dâun « certain DjemoutefĂąnkh » est lâaboutissement de nos investigations.
As a museological investigation starting with the ârĂ©colementâ of Egyptian antiquities in the museum of Grenoble in 2012, this presentation is an attempt to retrace the course of a cartonnageâs bed forgotten for one and half century by the inventories and catalogs of exhibition. The outcome of the study is the association of this object with the cartonnageâs lid of a âcertain DjemoutefĂąnkhâ.
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ENiM 15, 2022, p. 1-34.
Les travaux de rĂ©novation du musĂ©e Crozatier ont fourni lâoccasion propice Ă lâĂ©tude de deux ensembles funĂ©raires Ă©gyptiens rapportĂ©s en France au XIXe siĂšcle. Cette Ă©tude pluridisciplinaire, qui a rĂ©uni lâĂ©quipe du musĂ©e, V. Desclaux, des restauratrices dâĆuvres dâart, lâĂ©quipe du service dâimagerie mĂ©dicale de lâhĂŽpital Emile-Roux au Puy-en-Velay et la responsable du groupe datation du C2RMF, offre ainsi la premiĂšre Ă©dition des textes des cercueils ainsi quâun nouvel exemple de momie (Djedimenet) contenant une figurine de terre cuite de forme anthropomorphe, permettant ainsi dâenrichir un corpus en cours de constitution. Lâanalyse de la momie renfermĂ©e dans le cercueil de la dame Henout a quant Ă elle rĂ©vĂ©lĂ© que cette momie nâĂ©tait pas celle de dame Henout, puisquâil sâagit⊠dâun homme !
Renovation works on the Crozatier museum provided the perfect opportunity to study two Egyptian wooden coffins including human mummies which were brought to France in the 19th century. This multidisciplinary study, which brought together the museum team, V. Desclaux from the BNF, conservators, the team of the medical imaging department at Emile-Roux hospital in Le Puy-en-Velay and the person in charge of C14 dating for the C2RMF in Paris, offers the first edition of the funerary texts of the two coffins and of Djedimenet's painted cartonnage of as well as a new example of a mummy containing an anthropomorphic terracotta figurine. Analysis of the mummy enclosed in the ladyâs coffin revealed that this mummy was not that of Dame Henout[nefer?], since (s)he is ...a man !
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ENiM 15, 2022, p. 181-212.
Le cercueil Ă©gyptien conservĂ© au musĂ©e Jacquemart-AndrĂ© appartient Ă un certain Disoukhonsou, prĂȘtre de Coptos Ă la 25e dynastie. Son Ă©tude et sa restauration ont fourni lâoccasion de le replacer au sein de la production des cercueils bivalves, caractĂ©ristiques des 25e-26e dynasties. Le cercueil bivalve est conçu, techniquement et symboliquement, comme une enveloppe-cocon, Ă lâinstar de lâenveloppe de cartonnage de lâĂ©poque libyenne quâil remplace progressivement. Il prĂ©sente une particularitĂ© technique dĂ©rivant des cartonnages : lâapplication dâune toile enveloppante support du dĂ©cor, recouvrant toute la surface extĂ©rieure, englobant cuve et couvercle en un tout. Il est proposĂ© de considĂ©rer lâenveloppement intĂ©gral de toile Ă lâextĂ©rieur du cercueil comme lâun des critĂšres propres aux cercueils bivalves thĂ©bains des 25-26e dynasties. Sâil est possible que la momie ait Ă©tĂ© mise en place avant la rĂ©alisation du dĂ©cor, une hypothĂšse diffĂ©rente est ici dĂ©fendue, privilĂ©giant un autre enchaĂźnement des Ă©tapes de rĂ©alisation : le cercueil Ă©tait entiĂšrement rĂ©alisĂ© et dĂ©corĂ©, avant dâĂȘtre rouvert en dĂ©coupant la toile pour y insĂ©rer la momie, puis refermĂ©. Cette re-fermeture matĂ©rielle sâaccompagnait probablement dâune rĂ©paration symbolique, tout aussi efficiente dans la pensĂ©e Ă©gyptienne pour rĂ©tablir lâhermĂ©ticitĂ© recherchĂ©e. LâĂ©tude rĂ©alisĂ©e, principalement sur les cercueils du musĂ©e du Louvre, expose les Ă©lĂ©ments rĂ©unis pour Ă©tayer ces hypothĂšses et invite les chercheurs Ă multiplier lâexamen dâautres cercueils afin de les enrichir et discuter.
The Egyptian coffin kept in the Jacquemart-André museum belongs to a certain Disoukhonsou, priest of Coptos in the 25th Dynasty. Its study and restoration provided the opportunity to place it back within the production of bivalve coffins characteristic of the 25-26th Dynasties. The bivalve coffin is technically and symbolically designed as a cocoon-shell, much like the Libyan cartonnage case it gradually replaces. It shows a technical peculiarity deriving from cartonnage cases: the application of an enveloping linen for the decoration, covering the entire exterior surface, encompassing the box and lid in a whole. It is proposed to consider the linen wrap on the outside of the coffin as one of the criteria specific to Theban bivalve coffins of the 25-26th Dynasties. If the mummy may sometimes have been put in place before decorating, a different hypothesis is defended here, favoring another sequence of crafting steps: the coffin was entirely made and decorated, before being reopened by cutting the canvas to insert the mummy, then closed again. This material re-closure was probably accompanied by a symbolic repair, just as effective to the Egyptian mind-frame in order to recreate the sought-after hermeticity. The study carried out, mainly on the Louvre coffins, describes the elements gathered to support these hypotheses and invites researchers to examine other coffins in order to enrich and discuss them.
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7 article(s) - 28 mars 2024.
Maxim Panov
A Fragment of the Third Stela of Taimhotep
(ENiM 17, p. 53-54 — 23 fĂ©vrier 2024)
Jean-Claude Grenier L'Osiris ANTINOOS, CENiM 1, Montpellier, 2008 — (26 dĂ©cembre 2008)
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